MSU Student Research Celebration

Permanent URI for this collectionhttps://scholarworks.montana.edu/handle/1/405

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The Business of Art
(2013-03) Rodgers, Robert; Adams, Dean
It has become interesting to me to see paintings and other works of art in a professional setting, whether it is a restaurant, office, or some other work place not used specifically for displaying art. I have often wondered what the process is for displaying work in such a setting. Can an artist, such as myself, work with a business to both accommodate their needs for a specific aesthetic that they have built into their workplace and maintain the artist’s integrity of work? The thought has often crossed my mind that I could easily create an image that would be pleasing to a number of businesses, but in creating this work I would be completely abandoning my own personal style. My proposed solution to this problem is that I work with a business in town to develop a series of creative works that can successfully contribute to said business while maintaining my personal flair. I believe that many artists succumb to the pressure of professional success and sacrifice their creativity to sell work. My hope for this project is to show that I can retain my identity while still being commercially viable.
Wild Clay Research
(2013-03) Geil, Joe; Adams, Dean
My USP experience allowed me to successfully prospect for and test local clay materials for use in ceramic art. I used clays from Beaverhead, Gallatin, and Fergus counties. The majority of these clays mature at earthenware temperatures and one in particular has potential for use as a studio clay body. All of the clays being tested can be developed in to unique surface applications on high-fire ceramic art. I have fabricated and tested a burner system using waste vegetable oil as a fuel source. After three firings, the oil system has been a successful supplement to our wood fired kiln. I plan to build more efficient burners and alter the firing process to realize the full potential of this fuel source. Through various events, I have been able to connect with colleagues and the general public to discuss my research of these materials and process. Collaborating with Nick Danielson, we will provide informational booklets at NCECA at the end of this month. With my mentor, Dean Adams, we were able to send the clay samples to a testing lab for analysis which I will have for archiving and dissemination by the end of March.
Wild Clay Research
(2013-03) Danielson, Nicholas; Adams, Dean
My USP provided me the opportunity for exploration and risk taking in my ceramic studies. This project helped set the foundation for years of future research and production in my studio practice. I gathered and tested eight different native and noxious plant materials from the Gallatin Valley for testing as glaze surfaces for ceramic objects. Those materials are: Camelina straw (Brassicaceae), Horsetail Grass (Equisetum hymale), Sedge (Cyperaceae), Sage Brush (Artemisia var.), St. John’s Wort (Hypericaceae), Canada Thistle (Asteraceae), Wheat straw (Triticum), and Pine, Fir, and Cottonwood ash. I collected each sample from land throughout Gallatin County and burned each specimen to accumulate approximately 5,000 grams of ash from each plant. I washed and screened each ash sample and applied them to ceramic test tiles and pots. Each sample was tested in oxidation, reduction, and salt/soda kilns at cone 10, or 2350 Fahrenheit, on two different clay bodies. The clays represent both a high iron body and white porcelain clay. Finally, I photographically documented each test for archival and dissemination. Furthermore, my ceramic practice will continuously evolve from my research. I will address the results and acclimate the finding to my ceramic ware.