Show simple item record

dc.contributor.authorBartz, Eric
dc.description.abstractBy using a frequency spectrometer and focusing on three primary aspects of voice production I can look at how in tune different methods of singing can truly be. The initial onset of sound must be coordinated in a precise and accurate manner in order to ensure the frequencies do not distort upon initiation of vocal fold adduction. The acoustic balance of the primary resonating cavities of the human body need be focused in an effort to maintain integrity of tuning. The proper balance of both TA and CT cartilage must be achieved in an effort to ensure the tone is neither flat no sharp and includes the necessary overtones.en_US
dc.publisherMontana State Univeristyen_US
dc.titleClassical singing and non-classical singing tuning differencesen_US
mus.citation.conferenceStudent Research Celebrationen_US
mus.relation.collegeCollege of Arts & Architectureen_US
mus.relation.universityMontana State University - Bozemanen_US

Files in this item


This item appears in the following Collection(s)

Show simple item record

MSU uses DSpace software, copyright © 2002-2017  Duraspace. For library collections that are not accessible, we are committed to providing reasonable accommodations and timely access to users with disabilities. For assistance, please submit an accessibility request for library material.