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dc.contributor.advisorChairperson, Graduate Committee: Dennis Aigen
dc.contributor.authorBerent, Jared Daviden
dc.date.accessioned2018-07-18T13:25:49Z
dc.date.available2018-07-18T13:25:49Z
dc.date.issued2018en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/14182en
dc.descriptionThe Legend of the Texas Tiger is a film that is part of the student's thesis project.en
dc.description.abstractAs I produced a documentary film about tigers in captivity in the state of Texas, The Legend of the Texas Tiger, I learned that my legal background plays a central part in the way that I structure a filmic argument and think about filmmaking. I found that the metaphor of legal advocacy was particularly revealing in the examination of other filmmakers as well. In my discussion of Errol Morris' Gates of Heaven, Frederick Wiseman's Primate, and Werner Herzog's Grizzly Man, I examine the role of documentary filmmakers as curators of reality who present an argument to a metaphorical jury: the audience. This version of the truth that is presented to the audience often tells us just as much about the filmmaker as it does the film's subject.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshDocumentary filmsen
dc.subject.lcshEvidenceen
dc.subject.lcshAudiencesen
dc.subject.lcshMotion pictures Production and directionen
dc.subject.lcshAuthorshipen
dc.titleThe role of curation and evidence in documentary filmen
dc.title.alternativeThe Legend of the Texas Tigeren
dc.typeThesisen
dc.rights.holderCopyright 2018 by Jared David Berenten
thesis.degree.committeemembersMembers, Graduate Committee: Theo Lipfert; James Joyce.en
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage28en
mus.data.thumbpage14en


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