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dc.contributor.advisorChairperson, Graduate Committee: Theo Lipfert.en
dc.contributor.authorJackson, Sarah Anneen
dc.date.accessioned2013-06-25T18:37:18Z
dc.date.available2013-06-25T18:37:18Z
dc.date.issued2010en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/1545en
dc.descriptionOur tomorrow is a film that is part of the student's thesis project.en
dc.description.abstractFiction often represents the future in either a utopian or dystopian light. Utopian fiction presents worlds where life is perfection. Dystopian fiction's conflict comes directly from the characters' interactions with the problems in their world. When nonfiction television enters into speculation by making programs about the future, they also enter into these two categories of fiction. Some programs show a world returning to a perfect Eden, but they begin with the dystopian ending of the human race on earth. Other shows promise technological utopias, but avoid obvious problems with their technologically dependent tomorrows. These shows all take tropes from dystopian science fiction, but use their status as science documentaries to deny that any of the critiques of fiction belong in their programs.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshScience fictionen
dc.subject.lcshDystopiasen
dc.subject.lcshUtopiasen
dc.subject.lcshScience filmsen
dc.titleUtopia and dystopia in futuristic nonfiction televisionen
dc.title.alternativeOur tomorrowen
dc.typeThesisen
dc.rights.holderCopyright 2010 by Sarah Anne Jacksonen
thesis.catalog.ckey1519339en
thesis.degree.committeemembersMembers, Graduate Committee: Dennis Aig; Walter Metzen
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage41en
mus.relation.departmentFilm & Photography.en_US


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