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dc.contributor.advisorChairperson, Graduate Committee: Theo Lipferten
dc.contributor.authorSamollow, David Dunhamen
dc.date.accessioned2019-10-21T18:42:43Z
dc.date.available2019-10-21T18:42:43Z
dc.date.issued2019en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/15594en
dc.descriptionForty ton mirror is a film that is part of the student's thesis project.en
dc.description.abstractNature Documentary films routinely center around the behaviors of animals, rarely focusing on cultural interspecies interactions with humans. Using 'Grizzly Man', 'Blackfish', 'Forty Ton Mirror', and 'The Lost Tapes of Dian Fossey', this paper explores the cultural collision of people, their expectations, and animals in both captivity and the wild. The approach each film takes will be examined and highlight the details used to reach their conclusions. With one exception, the underlying them[e] concludes that such interactions result in a detrimental outcome to both humans and animals.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshDocumentary filmsen
dc.subject.lcshNature filmsen
dc.subject.lcshHuman-animal relationshipsen
dc.subject.lcshCultureen
dc.titleConsequences of interspecies cultural intersection in nature documentaryen
dc.title.alternativeForty ton mirroren
dc.typeThesisen
dc.rights.holderCopyright 2019 by David Dunham Samollowen
thesis.degree.committeemembersMembers, Graduate Committee: Dennis Aig; Lucia Ricciardelli.en
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage28en
mus.data.thumbpage28en


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