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dc.contributor.advisorChairperson, Graduate Committee: Rick Popeen
dc.contributor.authorRude, Mathew Benen
dc.date.accessioned2013-06-25T18:37:18Z
dc.date.available2013-06-25T18:37:18Z
dc.date.issued2007en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/2160en
dc.description.abstractForm, line, and surface are the catalysts for my work. I have been constructing nonrepresentational forms from clay that I see as translations. They are reflective of my conversation with the material and a record of the firing. The pieces in the installation do not reference any specific object. They are my attempt to explore volume, line, scale, and repetition in objects designed to translate the process of wood firing. They are about physicality, passion, and process. Each object becomes an individual variation of the total process. Most forms and objects created in art have some reference to some other preexisting object and can have any variety of meanings attached to them. I know the viewer will create their own meaning and metaphor for this installation. My intention is to leave the specifics up to the viewer.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshArt--Exhibitionsen
dc.subject.lcshPotteryen
dc.subject.lcshForm (Aesthetics)en
dc.subject.lcshContradictionen
dc.titleTranslationsen
dc.typeThesisen
dc.rights.holderCopyright 2007 by Mathew Ben Rudeen
thesis.catalog.ckey1286580en
thesis.degree.committeemembersMembers, Graduate Committee: Dean Adams; Gesine Janzen; Josh DeWeeseen
thesis.degree.departmentArt.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage22en
mus.data.thumbpage12en


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