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dc.contributor.advisorChairperson, Graduate Committee: Richard Helzeren
dc.contributor.authorTullar, Christopher Robinen
dc.date.accessioned2013-06-25T18:38:55Z
dc.date.available2013-06-25T18:38:55Z
dc.date.issued2006en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/2451en
dc.description.abstractWonder, optimism, and discovery are to me the most positive and exciting aspects of exploration of any kind. These are the central themes in Machines for a Perfect World. My main goal in putting this show together is to create pieces that incite these emotions and ideals in the viewer. The visual languages I utilize to this end are those of science fiction, industry, and architecture – aesthetic influences of mine from as far back as I can recall. Science and more specifically, the fictional accounts surrounding the future of scientific discovery have a particular resonance that has always captivated my curiosity and stimulated my imagination. Paralleling and complimenting this interest is my fascination with machines and building, and the processes involved therein.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshArt--Exhibitionsen
dc.subject.lcshSculptureen
dc.subject.lcshMetal-worken
dc.subject.lcshScience fictionen
dc.titleMachines for a perfect worlden
dc.typeThesisen
dc.rights.holderCopyright 2006 by Christopher Robin Tullaren
thesis.catalog.ckey1197165en
thesis.degree.committeemembersMembers, Graduate Committee: Jay Schmidt; Robert Smithen
thesis.degree.departmentArt.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage28en
mus.data.thumbpage18en


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