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dc.contributor.advisorChairperson, Graduate Committee: Ronald Tobias; Philip A. Savoie (co-chair)en
dc.contributor.authorWinston, Thomas Pillsburyen
dc.date.accessioned2013-06-25T18:38:37Z
dc.date.available2013-06-25T18:38:37Z
dc.date.issued2010en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/2559en
dc.descriptionThe Mongolian marmot is a film that is part of the student's thesis project.en
dc.description.abstractThroughout the history of wildlife film, a human character is often central to a narrative that promotes environmental stewardship. Diverse iconic figures in conservation such as Theodore Roosevelt, Jacques Cousteau and Jane Goodall have played starring roles in wildlife films in order to communicate their respective views on conservation. The common narrative of these films represents a reoccurring motif, or trope, in wildlife film that has evolved over time and prominently persists today- the trope of the Environmental Savior. This trope is justifiably condemned in its predominant form in mainstream wildlife film for casting a white westerner as environmental savior in a foreign ecosystem. Critics charge this trope propagates underlying ideologies of racism, neo-imperialism and western superiority. In this essay I will examine the trope of the environmental savior, and more specifically the character within the trope, in order to better understand the overt and implied meanings inherent to this narrative. I will first define the trope of the environmental savior and illustrate its power to persuade an audience. Then I will trace the evolution of the trope's protagonist, from to the white hunter in early wildlife films to the enlightened scientist that persists in contemporary mainstream television. Finally, I will propose forward-looking alternatives for constructing the trope of the environmental savior, based on my experience producing my thesis film, The Mongolian Marmot.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshWildlife filmsen
dc.subject.lcshEnvironmental filmsen
dc.subject.lcshMythologyen
dc.titleA critique of the environmental savior trope in wildlife filmen
dc.title.alternativeThe Mongolian marmoten
dc.typeThesisen
dc.rights.holderCopyright 2010 by Thomas Pillsbury Winstonen
thesis.catalog.ckey1521972en
thesis.degree.committeemembersMembers, Graduate Committee: Dennis Aigen
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage25en
mus.relation.departmentFilm & Photography.en_US


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