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dc.contributor.advisorChairperson, Graduate Committee: Cindy Stillwellen
dc.contributor.authorHann, Jessica Susanen
dc.date.accessioned2013-10-08T16:26:03Z
dc.date.available2013-10-08T16:26:03Z
dc.date.issued2012en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/2874en
dc.descriptionThe perfect woman is a film that is part of the student's thesis project.en
dc.description.abstractAnimation and documentary appear as oxymoronic terms, one encompassing all that is fantastical and imagined while the other stands firm in reality and truth, but animated documentaries have been in existence since the early 20th Century. Until recently they have not been of interest to the public or critics. In an effort to validate animated documentaries as an art form and thus a genre for serious consideration, scholars are currently focusing on defining and categorizing animated documentaries. Unfortunately, this is resulting in overly restrictive boundaries that films must adhere to in order to fall into the animated documentary category. In this paper I argue for more encompassing definitions while questioning the need for validation. In a world where boundaries between man and woman, human and non-human, and natural and unnatural are breaking down, perhaps animated documentaries are an ideal representation of this emerging new world.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshAnimated filmsen
dc.subject.lcshDocumentary filmsen
dc.titleA case for the animated documentaryen
dc.title.alternativeThe perfect womanen
dc.typeThesisen
dc.rights.holderCopyright 2012 by Jessica Susan Hannen
thesis.catalog.ckey2171857en
thesis.degree.committeemembersMembers, Graduate Committee: Dennis Aig; Sara Mast; Lucia Ricciardelli.en
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage26en
mus.relation.departmentFilm & Photography.en_US


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