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dc.contributor.authorLaing-Malcolmson, Bonnieen
dc.date.accessioned2015-05-12T20:51:40Z
dc.date.available2015-05-12T20:51:40Z
dc.date.issued1991en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/7201en
dc.description.abstractBetween the subject and the final painting lies a middle ground, a place of memory, response, process, and risk. My intent is that my paintings grow from this middle ground. My paintings are born of temporal things, a protracted drive through our wide western landscape may lull me into a state where a cloudburst slamming into a mountainside evokes a sharp flash of memory. Transformed, I relive a vivid moment of my life; the glimpsed landscape becomes a visual equivalent for the evoked memory. By reliving a moment of life I am more alive, simultaneously inhabiting present and past. William Carlos Williams wrote in his poem The Descent: "and no whiteness (lost) is so white as the memory of whiteness.” The mind released from the present is an intense world. I aim to capture that intensity in paint.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshArt--Exhibitionsen
dc.subject.lcshPaintingen
dc.subject.lcshNatureen
dc.subject.lcshMemoryen
dc.titlePaintings and monoprintsen
dc.typeThesisen
dc.rights.holderCopyright 1991 by Bonnie Laing-Malcolmsonen
thesis.catalog.ckey23493en
thesis.degree.departmentArt.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage35en
mus.data.thumbpage26en


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