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dc.contributor.advisorChairperson, Graduate Committee: Dennis Aigen
dc.contributor.authorNarrow, Emily Rebeccaen
dc.date.accessioned2015-07-07T18:31:35Z
dc.date.available2015-07-07T18:31:35Z
dc.date.issued2014en
dc.identifier.urihttps://scholarworks.montana.edu/xmlui/handle/1/9110en
dc.descriptionThe survivor is a film that is part of the student's thesis project.en
dc.description.abstractA patient-subject in a sleep disorder documentary is particularly vulnerable to disenfranchisement and is often unable to govern her own portrayal. This is because the patient-subject of a sleep disorder documentary falls within a unique nexus of controlling power structures and gazes that are rooted in medical sociology, documentary filmmaking ethics, and the sociology of sleep. Relying on past scholarship on medical documentaries in general, I identify three themes that signal disenfranchisement of the patient-subject: when authority of knowledge rests with the doctor and/or the filmmaker, when the doctor is active while the patient-subject is passive, and when the patient-subject is exposed to voyeurism. I then analyze three sleep disorder documentaries for how well they maintain patient-subject agency.en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.subject.lcshSleep disorders--Patientsen
dc.subject.lcshMedical films (Motion pictures)en
dc.subject.lcshEthicsen
dc.titlePatient-subject agency in sleep disorder documentaries : an analysis of three filmsen
dc.title.alternativeThe survivoren
dc.typeThesisen
dc.rights.holderCopyright 2014 by Emily Rebecca Narrowen
thesis.catalog.ckey2737193en
thesis.degree.committeemembersMembers, Graduate Committee: Kathryn Kasic; Gianna Savoieen
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage38en
mus.data.thumbpage35en


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