Theses and Dissertations at Montana State University (MSU)
Permanent URI for this communityhttps://scholarworks.montana.edu/handle/1/732
Browse
2 results
Search Results
Item Documentary and the pursuit of truth(Montana State University - Bozeman, College of Arts & Architecture, 2020) Savage, Ariel Lee; Chairperson, Graduate Committee: Cindy StillwellDeveloped as a genre in the 1920s, documentary film has long been considered a bastion for truth and knowledge. With this assumed integrity, however, came an enduring discourse on the deeper complexities of truth and the authorial power of the documentarian. As poststructuralist theory states it is impossible to recognize a universal truth. While it has long been understood that objectivity in documentary is impossible, I argue that documentary can be used instead to understand people. Comparing 'Grey Gardens', 'Aileen: Life and Death of a Serial Killer', and 'Behind the Curve', I analyze the historical context of each film, as well as the subjective techniques utilized to avow the documentarian's construct framing each documentary experience. I apply similar techniques to my documentary, 'Bigfoot and the Citizen Scientist' and further argue that truth is subjective and often murky, and therefore, our documentaries should reflect that.Item Music and ecstatic truth alternate approaches to scoring a documentary film(Montana State University - Bozeman, College of Arts & Architecture, 2019) Collins, William Campbell; Chairperson, Graduate Committee: Theo LipfertMusic has the capacity to quickly and effectively communicate abstract emotional states. In documentary film, music has a powerful impact on how audiences' perceive and empathize with its characters. Despite this, its role can be diminished in comparison to its creative significance. This is often due to the timing of its creation during the production process. In this paper I will discuss two alternate methods of film scoring and how they can yield more authentic musical interpretations of real events. Through the works of various filmmakers and my own experience scoring the short film, 'The Traverse', this paper will discuss how scoring a film early in the production phase, or self-scoring can yield a more authentic display of 'ecstatic truth' in documentary.