Experimental cinema and embodiment in nature-based video installations

dc.contributor.advisorChairperson, Graduate Committee: Cindy Stillwellen
dc.contributor.authorMullen, Catherine Maryen
dc.date.accessioned2018-10-08T21:27:51Z
dc.date.available2018-10-08T21:27:51Z
dc.date.issued2017en
dc.descriptionBirding blind is a film that is part of the student's thesis project.en
dc.description.abstractNonfiction filmmakers have a variety of different approaches they can take to produce science and nature based documentaries. In my paper, I focus on a slow, experimental style of filming and editing. I stress that by using these techniques when it comes to films with the environment or animals as subject matter, filmmakers can stimulate the senses within the audience to garner a greater intellectual connection between viewer and film. I analyze 13 Lakes (2004) by James Benning and Landscape (for Manon) (1987) by Peter Hutton to illuminate specific slow, experimental techniques that also appear in my thesis film Birding Blind (2017), a three-channel video installation.en
dc.identifier.urihttps://scholarworks.montana.edu/handle/1/14908en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.rights.holderCopyright 2018 by Catherine Mary Mullenen
dc.subject.lcshNature filmsen
dc.subject.lcshWildlife filmsen
dc.subject.lcshExperimental filmsen
dc.subject.lcshSenses and sensationen
dc.titleExperimental cinema and embodiment in nature-based video installationsen
dc.typeThesisen
mus.data.thumbpage21en
thesis.degree.committeemembersMembers, Graduate Committee: Lucia Ricciardelli; Joy Dietrich.en
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage26en

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