Hybrid objects
| dc.contributor.advisor | Chairperson, Graduate Committee: Jim Zimpel and Walter Fleming (co-chair) | en |
| dc.contributor.author | Figueroa, Casey Curran | en |
| dc.coverage.temporal | Twenty-first century | en |
| dc.date.accessioned | 2022-02-09T18:37:38Z | |
| dc.date.available | 2022-02-09T18:37:38Z | |
| dc.date.issued | 2021 | en |
| dc.description.abstract | What follows is an exploration of praxis in Studio Art informed by research and application of methodologies and paradigms found within Indigenous culture. By examining the roles of Relationality, Sovereignty, and Positionality found in Native American Studies, and applied in conjunction with the methods found in Contemporary Art, insight can be gained into how art and culture responds to contemporary circumstances and future changes, as well as how this can provide value to the fields of Native American Studies and contemporary art. | en |
| dc.identifier.uri | https://scholarworks.montana.edu/handle/1/16256 | en |
| dc.language.iso | en | en |
| dc.publisher | Montana State University - Bozeman, College of Arts & Architecture | en |
| dc.rights.holder | Copyright 2021 by Casey Curran Figueroa | en |
| dc.subject.lcsh | Art, Modern | en |
| dc.subject.lcsh | Indians of North America | en |
| dc.subject.lcsh | Methodology | en |
| dc.subject.lcsh | Culture | en |
| dc.subject.lcsh | Sociology | en |
| dc.title | Hybrid objects | en |
| dc.type | Thesis | en |
| mus.data.thumbpage | 53 | en |
| thesis.degree.committeemembers | Members, Graduate Committee: Sara Mast; Jeremy Hatch; Kristin T. Ruppel; Matthew Herman | en |
| thesis.degree.department | Art. | en |
| thesis.degree.genre | Thesis | en |
| thesis.degree.name | MFA | en |
| thesis.format.extentfirstpage | 1 | en |
| thesis.format.extentlastpage | 62 | en |