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Montana State University - Bozeman, College of Arts & Architecture
Abstract
This work is a religious study of the Book of Iyov, exploring the nature of suffering, faith, and the problem of evil within the framework of Jewish mysticism. Grounded in the symbolism of the Ten Sefirot and inspired by the process of ceramic art, the study examines authority, accessibility, and the cyclical interplay between creation and destruction mirroring both the transformative process of firing clay and the dynamic evolution of faith. At its core, the thesis confronts modern grief, ethical responsibility, and historical memory, particularly in relation to the complex conflicts in Palestine. By engaging with metaphors of divine absence and the idea of trapped energy (nitzotzot kedusha), this inquiry poses essential questions: How do we navigate cycles of revelation and concealment? In what ways can creative acts become both offerings and rejections? Ultimately, this thesis argues that true authority is not fixed but emerges from the tension between imposed structure and the intuitive, sometimes chaotic, nature of creation. Through material transformation and deliberate engagement, both the ancient and contemporary realms of experience converge to offer a new perspective on the balance between order and mystery in our understanding of the sacred.
