Paintings and monoprints
dc.contributor.author | Laing-Malcolmson, Bonnie | en |
dc.date.accessioned | 2015-05-12T20:51:40Z | |
dc.date.available | 2015-05-12T20:51:40Z | |
dc.date.issued | 1991 | en |
dc.description.abstract | Between the subject and the final painting lies a middle ground, a place of memory, response, process, and risk. My intent is that my paintings grow from this middle ground. My paintings are born of temporal things, a protracted drive through our wide western landscape may lull me into a state where a cloudburst slamming into a mountainside evokes a sharp flash of memory. Transformed, I relive a vivid moment of my life; the glimpsed landscape becomes a visual equivalent for the evoked memory. By reliving a moment of life I am more alive, simultaneously inhabiting present and past. William Carlos Williams wrote in his poem The Descent: "and no whiteness (lost) is so white as the memory of whiteness.” The mind released from the present is an intense world. I aim to capture that intensity in paint. | en |
dc.identifier.uri | https://scholarworks.montana.edu/handle/1/7201 | en |
dc.language.iso | en | en |
dc.publisher | Montana State University - Bozeman, College of Arts & Architecture | en |
dc.rights.holder | Copyright 1991 by Bonnie Laing-Malcolmson | en |
dc.subject.lcsh | Art--Exhibitions | en |
dc.subject.lcsh | Painting | en |
dc.subject.lcsh | Nature | en |
dc.subject.lcsh | Memory | en |
dc.title | Paintings and monoprints | en |
dc.type | Thesis | en |
mus.data.thumbpage | 26 | en |
thesis.catalog.ckey | 23493 | en |
thesis.degree.department | Art. | en |
thesis.degree.genre | Thesis | en |
thesis.degree.name | MFA | en |
thesis.format.extentfirstpage | 1 | en |
thesis.format.extentlastpage | 35 | en |
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