Perceptions
dc.contributor.advisor | Chairperson, Graduate Committee: N. R. Pope | en |
dc.contributor.author | Muldoon, Dara Anne Hartman | en |
dc.date.accessioned | 2013-06-25T18:41:23Z | |
dc.date.available | 2013-06-25T18:41:23Z | |
dc.date.issued | 2006 | en |
dc.description.abstract | My work is informed by the cultural construction of the ideal woman, i.e., a pretty, tidy, clean, little package; and by the women close to me, the women I encounter from day to day, and the representations of women throughout history. To this end, I want the representations of the female figures I create to possess a goddess-like quality, to show the beauty that all women possess, and to portray the reality of feminine struggles in a society obsessed with constructed images of beauty. I want to reference the idea of the male gaze and the objectification of the female body through the use of the torso but to also bring the viewers attention to the perceptions a woman may have about her own body. My intention is to place the object in front of the viewer in an effort to provoke, educate, and compel the viewer to think differently about the complexities of the female body. | en |
dc.identifier.uri | https://scholarworks.montana.edu/handle/1/1914 | en |
dc.language.iso | en | en |
dc.publisher | Montana State University - Bozeman, College of Arts & Architecture | en |
dc.rights.holder | Copyright 2006 by Dara Anne Hartman Muldoon | en |
dc.subject.lcsh | Art--Exhibitions | en |
dc.subject.lcsh | Ceramic sculpture | en |
dc.subject.lcsh | Human figure in art | en |
dc.subject.lcsh | Social perception | en |
dc.subject.lcsh | Feminist theory | en |
dc.title | Perceptions | en |
dc.type | Thesis | en |
mus.data.thumbpage | 24 | en |
thesis.catalog.ckey | 1197149 | en |
thesis.degree.committeemembers | Members, Graduate Committee: Dean Adams; Sara Mast | en |
thesis.degree.department | Art. | en |
thesis.degree.genre | Thesis | en |
thesis.degree.name | MFA | en |
thesis.format.extentfirstpage | 1 | en |
thesis.format.extentlastpage | 25 | en |
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