Theses and Dissertations at Montana State University (MSU)

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    Exploring satire in the early postmodern American war novel
    (Montana State University - Bozeman, College of Letters & Science, 2018) Brown, Kolby Elizabeth; Chairperson, Graduate Committee: Robert Bennett
    After the Second World War, young soldier-writers such as Norman Mailer, Irwin Shaw, James Jones and Joseph Heller responded to the cultural impact and horrors of World War II by engaging a satire that was meant to not only expose problems of society, but inspire change. Too often, readers mistake satire for pure entertainment. Although satire has a longstanding reputation as comedy, satire is a vital weapon for democratic societies to challenge lies, corruption and the abuse of power. By focusing attention on a diverse range of satiric expression, this thesis aims to fill a gap in the scholarship on early postmodern American war novels and the way they attack systems that objectify and dehumanize human bodies for the agenda of war.
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    Chasing the dream : literature and regional construction in California's Great Central Valley
    (Montana State University - Bozeman, College of Letters & Science, 2006) Bryson, Rachel Welton; Chairperson, Graduate Committee: Susan Kollin
    As a region, California's Great Central Valley can be defined through the physical and cultural characteristics assigned to the space by its residents. Not unlike the larger regions of which it is part, the Valley's cultural landscapes have long been constructed as sites of wealth, fertile ground, and opportunity. Drawn to the region's myriad promises and possibilities, populations moving into and within the region often search for their part in a frequently elusive California Dream. Yet as with any place, the lived experience of the Valley's residents is often far removed from the construction of the region as a land of prosperity and mobility. Tracing the various constructions of region in the Great Central Valley requires an understanding of cultural and regional identity as complex and multifaceted. No two individuals experience the landscapes they inhabit in the same way; as a result, any attempt to define a unitary regional identity in the Valley is ultimately problematic. Despite the diverse experiences and interpretations of the Valley and its inhabitants, many overlapping themes emerge, resulting in what I call a "regional imaginary'-a set of meanings assigned to a region by its residents. Although many methods exist by which to explore and tentatively define the idea of a regional imaginary in the Central Valley, one of the most productive involves utilizing critical regional approaches to literature and other narrative works. By examining the many novels, poems, and other narratives written about the Valley, the various cultural, historical, and natural forces that converge and conflict in the Valley's landscapes may begin to come into focus.
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