Avatar: a cultural and ethical journey across settler-colonialism

Abstract

This thesis critically examines James Cameron's blockbuster Avatar, as a complex cinematic narrative that delves into themes of colonialism, environmental degradation, and Indigenous rights. By identifying the practices of settler-colonialism present and denounced in the movie, this paper aims to draw parallels with the settlement in America and to understand if Avatar's anti-colonial and environmental messages is a truthful representation of Native American culture in the United States. In this line of reasoning, the focus will be on the portrayal of Pandora as a parallel representation on Earth and his interpretation of the roles of the Indigenous inhabitants of Pandora. First, looking at the movie as a critique of settler-colonialism, also embedded in the American history, and of the cultural construction of race will help shed light on the intricacies of the understanding of cultures and their appreciation. Then, by focusing on the strong environmental message conveyed in the movie, as interconnectedness, respect for nature, and the safeguarding of resources is omnipresent throughout, I aim to understand to what extent Jamec Cameron's Avatar is authentically--or not--representing Native American spirituality and environmental values. Finally, this paper explores the potential of the movie as decolonizing, although Cameron's representation and depiction of Indigenous cultures have caused controversy.