Xenharmonic Praxes: Compositional Studies in 31-EDO for Guitar
| dc.contributor.advisor | Gregory Young | |
| dc.contributor.author | Aschim II, Emmett | |
| dc.date.accessioned | 2026-06-03T21:52:43Z | |
| dc.date.issued | 2026 | |
| dc.description.abstract | This thesis examines the creative, theoretical, and practical implications of composing for the guitar in thirty-one-tone equal temperament. Although 31-EDO has a deep connection to musical tradition, its application to the contemporary guitar remains largely unexplored within academia. | |
| dc.identifier.citation | Aschim II, Emmett. “Xenharmonic Praxes: Compositional Studies in 31-EDO for Guitar.” Montana State University, 2026. | |
| dc.identifier.uri | https://scholarworks.montana.edu/handle/1/19814 | |
| dc.language.iso | en_US | |
| dc.publisher | Montana State University - Bozeman, College of Arts & Architecture | |
| dc.rights | Copyright Emmett Aschim II 2026 | |
| dc.title | Xenharmonic Praxes: Compositional Studies in 31-EDO for Guitar | |
| dc.type | Presentation | |
| mus.citation.extentfirstpage | 1 | |
| mus.relation.college | College of Arts & Architecture | |
| mus.relation.department | Music | |
| mus.relation.university | Montana State University - Bozeman |