Film and Music : an overlooked synthesis
dc.contributor.advisor | Chairperson, Graduate Committee: Theo Lipfert. | en |
dc.contributor.author | Wiessinger, Scott Reinhard | en |
dc.date.accessioned | 2013-06-25T18:44:02Z | |
dc.date.available | 2013-06-25T18:44:02Z | |
dc.date.issued | 2009 | en |
dc.description | Fractal is a film that is part of the student's thesis project. | en |
dc.description.abstract | Music and image are intricately joined in almost all modern film and video. Despite this, scholars of both fields rarely address the two media as they act on each other. Cognitive studies give an interesting window on the way the brain processes music and image, but again, they do not address the intersection of the two. A few studies, most notably by Marilyn Boltz, do exist that deal with music/image joint processing, and the effect of one on the other. Boltz's work reveals the great potential of further work, both scientific and scholarly, into the synthesis of music and film. A theory of the interaction of the two is clearly needed. | en |
dc.identifier.uri | https://scholarworks.montana.edu/handle/1/2539 | en |
dc.language.iso | en | en |
dc.publisher | Montana State University - Bozeman, College of Arts & Architecture | en |
dc.rights.holder | Copyright 2009 by Scott Reinhard Wiessinger | en |
dc.subject.lcsh | Eisenstein, Sergei, 1898-1948 | en |
dc.subject.lcsh | Music | en |
dc.subject.lcsh | Criticism | en |
dc.subject.lcsh | Science films | en |
dc.title | Film and Music : an overlooked synthesis | en |
dc.title.alternative | Fractal | en |
dc.type | Thesis | en |
mus.data.thumbpage | 15 | en |
mus.relation.department | Film & Photography. | en_US |
thesis.catalog.ckey | 1428795 | en |
thesis.degree.committeemembers | Members, Graduate Committee: Walter Metz; Dennis Aig | en |
thesis.degree.department | Film & Photography. | en |
thesis.degree.genre | Thesis | en |
thesis.degree.name | MFA | en |
thesis.format.extentfirstpage | 1 | en |
thesis.format.extentlastpage | 23 | en |
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