Film and Music : an overlooked synthesis

dc.contributor.advisorChairperson, Graduate Committee: Theo Lipfert.en
dc.contributor.authorWiessinger, Scott Reinharden
dc.date.accessioned2013-06-25T18:44:02Z
dc.date.available2013-06-25T18:44:02Z
dc.date.issued2009en
dc.descriptionFractal is a film that is part of the student's thesis project.en
dc.description.abstractMusic and image are intricately joined in almost all modern film and video. Despite this, scholars of both fields rarely address the two media as they act on each other. Cognitive studies give an interesting window on the way the brain processes music and image, but again, they do not address the intersection of the two. A few studies, most notably by Marilyn Boltz, do exist that deal with music/image joint processing, and the effect of one on the other. Boltz's work reveals the great potential of further work, both scientific and scholarly, into the synthesis of music and film. A theory of the interaction of the two is clearly needed.en
dc.identifier.urihttps://scholarworks.montana.edu/handle/1/2539en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.rights.holderCopyright 2009 by Scott Reinhard Wiessingeren
dc.subject.lcshEisenstein, Sergei, 1898-1948en
dc.subject.lcshMusicen
dc.subject.lcshCriticismen
dc.subject.lcshScience filmsen
dc.titleFilm and Music : an overlooked synthesisen
dc.title.alternativeFractalen
dc.typeThesisen
mus.data.thumbpage15en
mus.relation.departmentFilm & Photography.en_US
thesis.catalog.ckey1428795en
thesis.degree.committeemembersMembers, Graduate Committee: Walter Metz; Dennis Aigen
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage23en

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