Disrupting American identity through the lens of the Pacific: essays from Hawai'i on belonging, invading and surviving

Abstract

The cooptation of Native Hawaiian Culture along with colonialism, settler privilege and distorted perceptions have reshaped the lands of Kanaka creating what activist and scholar Haunani-Kay Trask calls "a postcard image" of the place. Through a series of case studies that draw on feminist, Indigenous, and historical sources and using auto-theory as a method to examine personal experiences of place, this project analyzes the danger of fantasy as it plays out in geography, culture, family, and what it means to be American. In doing so, this dissertation foregrounds the complex relationship between the US and Hawai'i, moving beyond the popular fantasy of a tropical vacation destination to reveal how settler desires are often informed and shaped by larger nation building practices. Weaving together memoir with academic scholarship, this project examines the way in which settlers in the 1970s often depicted Hawai'i as a paradise that provided them the means for developing an "extraordinary" life, regardless of whether they were welcome there or not. This dissertation is multifaceted, highlighting the counterculture of the 1970s, the complex stories that tell about various families that worked and made lives for themselves in Hawai'i and the risk of using an imagined place to construct an idea of self that relies on notions of authenticity. To counter these misunderstandings, this dissertation foregrounds the autonomy and the resistance of Hawaiian sovereigns in the 1800s and what Kanaka are still doing today to combat the rampant spread of tourism and exploitation of the islands' resources by outside entities.