Ocean Pictures : the construction of the ocean on film

dc.contributor.advisorChairperson, Graduate Committee: Ronald Tobias.en
dc.contributor.authorKennerson, Elliott Doranen
dc.date.accessioned2013-06-25T18:39:47Z
dc.date.available2013-06-25T18:39:47Z
dc.date.issued2008en
dc.descriptionSealed off is a film that is part of the student's thesis project.en
dc.description.abstractCommon filmic tropes of the ocean draw upon ideas that go back to the novels of Herman Melville and Jules Verne, who constructed the ocean respectively as a hostile wilderness and a watery Eden. Two of the earliest and most influential underwater filmmakers, Jacques Cousteau and Jean Painlevé, employed these tropes, as have subsequent filmmakers, especially in their depictions of charismatic ocean fauna. The power of the Eden/wilderness dichotomy of the ocean has spilled over not only from novel to film and from fiction to non-fiction, but into the socio-political sphere of ocean-related controversies like the one that is the subject of my film, Sealed Off!!!en
dc.identifier.urihttps://scholarworks.montana.edu/handle/1/1623en
dc.language.isoenen
dc.publisherMontana State University - Bozeman, College of Arts & Architectureen
dc.rights.holderCopyright 2008 by Elliott Doran Kennersonen
dc.subject.lcshPainleve, Jeanen
dc.subject.lcshCousteau, Jacques, 1910-1997en
dc.subject.lcshOceanen
dc.subject.lcshEnvironmental filmsen
dc.titleOcean Pictures : the construction of the ocean on filmen
dc.title.alternativeSealed offen
dc.typeThesisen
mus.relation.departmentFilm & Photography.en_US
thesis.catalog.ckey1339972en
thesis.degree.committeemembersMembers, Graduate Committee: Simon Dixon; Dennis Aigen
thesis.degree.departmentFilm & Photography.en
thesis.degree.genreThesisen
thesis.degree.nameMFAen
thesis.format.extentfirstpage1en
thesis.format.extentlastpage35en

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