College of Arts & Architecture

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College of Arts & Architecture Our nationally-accredited and recognized programs in the Arts, Architecture, Film, Music and Photography offer a rich array of academic experiences, research opportunities and creative activities unique to our region and vital to our world. Architecture students address local, regional and global challenges; art students exhibit in local galleries and create award-winning graphic design; music majors perform in regional cultural events; and film and photography students explore and document nearby Yellowstone National Park's rare natural wonders.

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Start date: 2015End date: 2019

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    Assessing Housing Retrofits in Historic Districts in Havre Montana
    (2019-11) Mukhopadhyay, Jaya; Ore, Janet; Amende, Kevin
    This paper explores the impact of retrofitting single-family residential buildings in historic districts with energy efficiency measures that are compliant with the 2012 version of the International Energy Conservation Code (IECC). This study focuses on Sears’s kit homes that were built in the early 1900s in the historic district of Havre, Montana. By conducting whole building energy simulations, this study assesses the impact of implementing each measure in terms of energy savings, reduction in carbon emissions and resultant paybacks. In addition the selected measures were grouped together into various groups and assessed. Combining all measures provided 81% energy savings and a simple payback period of 4–8 years and a time until Net Present Value (NPV) of 9.5 - > 30 years over the corresponding base-case. In addition to demonstrating strong economic justifications, the implementation of efficiency measures is highly recommended for the benefit of preserving historic districts and in turn contributing to the reduction in energy consumption as well as carbon emissions of historic residential building stock in the United States.
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    The Mythmaker: Hyam Maccoby and the Invention of Christianity
    (2017-07) Moore, Rebecca
    This essay examines the writings of Hyam Maccoby, a twentieth-century Jewish scholar of rabbinic Judaism and early Christianity. After locating Maccoby in the context of Jewish anti-Christian writings, it presents his critical view of Christian doctrines. This scholar claimed in numerous publications that Christianity was inherently antisemitic due to the teachings of Paul the apostle, especially his doctrine of the vicarious atonement. It is therefore worth presenting, assessing, and challenging Maccoby\'s views as a barrier to Jewish and Christian dialogue.
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    Fourth Style responses to 'period rooms' of the Second and Third Styles at Villa A ("of Poppaea") at Oplontis
    (2015-02) Gee, Regina
    This essay presents selected examples of the Fourth Style at Villa A (\of Poppaea\") at Oplontis as viewed through a particular analytical lens (for a plan of Villa A, see Abb. 1 in J. R. CLARKE’S article in this volume). The Fourth Style visually dominates at Villa A in total area, but with the exception of the spectacularly vivid garden rooms of the east wing, appreciated for their glowing colour and sophisticated alignment, it is the least-well examined among the three styles present. Not without reason the show-stopping Second Style rooms, particularly the atrium (5) and triclinia (*4, 2ª), have garnered the lion\'s share of attention. In *9+7, J. CLARKE published the first detailed study of all the third Style ensembles 1. The complete record of surviving wall paintings reveals an art historical narrative more complex than a sequenced unfolding of Second, Third, and Fourth Styles 2. This history is shaped by but not utterly dependent on the attendant story told by earth- quakes and economics, and the style narrative undermines attempts to create a straightforward progression through discrete categories, offering up instead a series of permutations and combinations. 5ithin the larger and longer dialog in contemporary scholarship on diachronic studies versus the synchronic consideration of wall paintings as meaningful markers of social use, this examination is intended to mediate between the two. I use both methods of inquiry to consider Fourth Style paintings inserted within earlier decorative programs at the villa. The corpus of \\ampanian wall painting gives examples of painting preservation in the comprehensive decorative system of a house along a calibrated scale of removal, true restoration, or a combination of old and new sections3. This examination considers all three responses in the material record of the villa with an emphasis on the choice by the artists to reveal or conceal the stylistic intervention within the earlier work. The Fourth Style\'s complexity in terms of repertoire and the ability to respond to previous styles is made explicit in a new way in this case study.
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