Scholarly Work - English

Permanent URI for this collectionhttps://scholarworks.montana.edu/handle/1/8827

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    Anointed
    (The University of North Carolina Press, 2023-09) Misener, Mindy
    In lieu of an abstract, here is a brief excerpt of the content: For years, Mary would lie awake at night tallying her memories of her mother, making sure none were slipping away. Martha, Mary's older sister, cared more for their mother's things—her shawl, the sandals imprinted with the shadows of her heels and toes. Martha disdained Mary's obsession with memories as much as Mary disdained Martha's obsession with objects, but even at eight and ten years old they each knew to allow the other her grief, and so their relationship, which could have turned into a permanent battleground, was mostly a place of peace.
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    “I can almost recognize its voice”: AI and its impact on ethical teacher-centaur labor
    (Emerald, 2024-03) Fassbender, William Joseph
    Purpose. This study builds on previous theoretical work that considered artificial intelligence (AI) and its potential for creating “teacher-centaurs” whose labor could be accelerated through the use of generative AI (Fassbender, in review). The purpose of this paper is to use empirical methods to study centaur teachers and the division of labor (Durkheim, 1893/2013) that arise from outsourcing teaching tasks to AI. Design/methodology/approach. Multiple case study (Stake, 2006) was used to collect data on two secondary English teachers who were early adopters of generative AI. Data included semi-structured interviews as well as ChatGPT chat logs, which helped in describing how teaching approaches evolved using AI technology. Findings. Results showed that teachers used AI for planning, instruction and assessment. AI-augmented teaching practices allowed teachers to complete tasks with greater speed, which in turn increased stamina and short term work–life balance. Given the novelty of AI, concerns about data privacy and academic integrity raised ethical questions. Originality/value. ChatGPT’s rise to popularity in 2023 brought with it significant discussions about education, specifically how students would use AI primarily as a tool for plagiarism. This study takes a different focus, considering how early adoption of AI has begun changing teacher labor, offering implications for the future of the teaching profession.
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    Homo medialiteratus and the media literacy proxy war: mapping the U.S. response to digital dismisinfo
    (Informa UK Limited, 2023-07) Robinson, Bradley; Fassbender, William J.
    This article presents findings from a visual network analysis study mapping the collective response to digital disinformation and misinformation, or digital dismisinfo, in the United States. Inspired by the digital dismisinfo-driven 2021 insurrection at the U.S. Capitol, the study has identified key public and private actors actively responding to digital dismisinfo, examined the nature of their responses, and traced how their responses interact with those of other actors. The study’s findings reveal how media literacy efforts have become embroiled in a proxy war between platforms and politicians over the causes and consequences of digital dismisinfo. The authors argue that through such dynamics emerges the figure of homo medialiteratus, the media consuming individual who must bootstrap their way to truth in the face of an unrelenting tide of digital dismisinfo.
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    The Ecological Resonance of Imogen’s Journey in Montana’s Parks
    (Cambridge University Press, 2022-10) Minton, Gretchen E.; Gray, Mikey
    In this article Gretchen Minton and Mikey Gray discuss an adaptation of Shakespeare’s tragicomedy Cymbeline that toured Montana and surrounding states in the summer of 2021. Minton’s sections describe the eco-feminist aims of this production, which was part of an international project called ‘Cymbeline in the Anthropocene’, showing how the costumes, set design, and especially the emphasis upon the female characters created generative ways of thinking about the relationship between the human and the more-than-human worlds. Gray’s first-person narrative at the end of each section reflects upon her role of Imogen as she participated in an extensive summer tour across the Intermountain West and engaged with audience members about their own relationship to both theatre and the natural world. This is a story of transformation through environmentally inflected Shakespeare performance during the time of a global pandemic. Gretchen E. Minton is Professor of English at Montana State University, Bozeman, and editor of several early modern plays, including Timon of Athens, Troilus and Cressida, Twelfth Night, and The Revenger’s Tragedy. She is the dramaturg and script adaptor for Montana Shakespeare in the Parks and the co-founder of Montana InSite Theatre. Her directorial projects include A Doll’s House, Timon of Anaconda (see NTQ 145, February 2021), Shakespeare’s Walking Story, and Shakespeare for the Birds. Mikey Gray received her BA in Theatre and Performance from Bard College, New York, with a conservatory semester at NIDA (National Institute of Dramatic Art) in Sydney. She has performed in four productions with Montana Shakespeare in the Parks, while other actor engagements include Chicago Shakespeare Theater, American Conservatory Theater, Strawdog Theater Company, The Passage Theatre, and McCarter Theatre Center.
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    Ecological Adaptation in Montana: Timon of Athens to Timon of Anaconda
    (Cambridge University Press, 2021-02) Minton, Gretchen E.
    In this article Gretchen E. Minton describes her adaptation of William Shakespeare and Thomas Middleton’s 1606 play Timon of Athens. This adaptation, called Timon of Anaconda, focuses on the environmental legacy of Butte, Montana, a mining city that grew quickly, flourished, fell into recession, and then found itself labelled the largest Superfund clean-up site in the United States. Timon of Anaconda envisions Timon as a wealthy mining mogul whose loss of fortunes and friends echoes the boom-and-bust economy of Butte. The original play’s language about the poisoning of nature and the troubled relationship between the human and more-than-human worlds is amplified and adjusted in Timon of Anaconda in order to reflect upon ongoing environmental concerns in Montana. Minton explains the ecodramaturgical aims, site-specific locations, and directorial decisions of this adaptation’s performances, which took place in September 2019. Gretchen E. Minton is Professor of English at Montana State University, Bozeman. She has edited several early modern plays, including Timon of Athens, Troilus and Cressida, Twelfth Night, and The Revenger’s Tragedy. She is the dramaturg for Montana Shakespeare in the Parks and Bozeman Actors Theatre, and her directorial projects include A Doll’s House (2019), Timon of Anaconda (2019–20), and Shakespeare’s Walking Story (2020).
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    Domestic Entrapment and Supernatural Protection: Mapping the Ambiguous Relationship Between Female Subject and Domestic Space in Shirley Jackson's "House Novels"
    (Montana State Univeristy, 2022-05-13) Moosbrugger, Meghan MacKenzie
    Shirley Jackson’s three “house novels” offer new ways of understanding the tensions between women and their domestic spaces in the post-World War II American society. Studying The Haunting of Hill House, We Have Always Lived in the Castle, and The Sundial through the lenses of Gothic literature and spatial theory gives literary critics and scholars valuable insights into Jackson’s representation of women and how they interact with and form relationships to their public and private spheres. This paper will apply Robert Tally’s mapping concept to consider each of the houses represented within Jackson’s novels as a map portraying the ambiguous relationship between female subject and domestic space.
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